September 21st, 2009


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In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The 2015 Premier’s Design Awards are open for entry, spanning categories including architectural design, service design, product design, communication design, digital design and design strategy.
With the inaugural Glenn Murcutt Symposium set to take place in Sydney in September 2025, Pritzker Prize-winner Francis Kéré receives the Murcutt Pin.
He is trained in many fields, but it is Daniel Dorall’s art practice – informed by his fascination with the formal properties of creating miniature maze-like constructions – that is taking the spotlight.
When specifying carpets for retail and commercial environments, it is imperative to consider critical factors like functionality, performance and style. This downloadable whitepaper explores your specifying options in detail.
The internet never sleeps! Here's the stuff you might have missed
Brunit by 23 Degrees Design Shift brings together expressive structure, industrial materiality and climate-conscious hospitality on a rooftop site in Vijayawada.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.