Founded by Richard Munao in 1997, Cult is an Australian owned company that supplies superior, quality designer furniture including tables, chairs, lounges, lighting and accessories. Over the 20 years, Cult has grown into Australia and New Zealand’s leading design destination with one of the most comprehensive collections of brand partners.
Cult proudly supplies exceptional international brands including Fritz Hansen, Poltrona Frau, Cappellini, Carl Hansen & Sons, Zanotta, &tradition, Vipp and Louis Poulsen. In addition to its international brand partners, Cult launched its own Australian design brand, NAU, in 2017.
Cult is dedicated to supporting and promoting Australian design talent and has been involved in a range of national awards programs. In addition to its flagship showroom in Sydney, Cult has showrooms in Melbourne, Brisbane and Auckland as well as distributors in Canberra, Adelaide, Perth and Singapore.
Click the locations below for more information on each showroom.
Founded by Richard Munao in 1997, Cult is an Australian owned company that supplies superior, quality designer furniture including tables, chairs, lounges, lighting and accessories. Over the 20 years, Cult has grown into Australia and New Zealand’s leading design destination with one of the most comprehensive collections of brand partners.
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The winners of the 2024 INDE.Awards were announced at a spectacular gala hosted by The Ritz-Carlton, Melbourne, Australia. Discover the exemplary projects, people and products that reflect the diversity of the Indo-Pacific.
The news is out that Corporate Culture has acquired the Mark Tuckey brand. We catch up with Richard Munao to understand the back story and his aspirations for this long-standing Australian design and manufacturing business.
Want to know what made the spec’ schedule for all our featured projects?
Pavilions, hubs, neighbourhoods, precincts and the like are fast becoming a popular staple in the agile workplace diet – but why? In their latest project for Red Energy Melbourne, iconic studio Carr sees the significance of these spaces as allowing users to claw back some personal ownership of their working environment.
Sometimes the most highly evolved designs are incomplete. When conceptualising the new Suncorp headquarters in Sydney, the interiors team at Geyer worked to the idea of ‘designing to 80%’. The result is a radical take on the oft-used idea of workplace flexibility. While the building caters to the needs of its residents in the present, it comprehensively avoids dictating what these needs will be in the future.
With all this buzz around ‘human focused’ design, architects and designers are having to think far more creatively around how to best integrate ‘responsiveness’ into workplaces – especially if your client is a rapid live news outlet. For New Zealand firm Warren and Mahoney, the design of Television New Zealand’s new Auckland headquarters was driven by their interest in the ‘power of people’ and the translation of their collective behaviours into the built form.
Place-specific design is so very de rigueur. But beyond the obvious, how is place-driven design being strategically integrated across both macro and micro aspect of a mega development? This was Terry Snow’s objective for his best-in-class Willinga Park Equestrian Centre – and Cox Architecture have delivered.
Luxury used to mean the consumption of precious objects and items. Then it became the consumption of exclusive services. Now, it’s all about “transformative experiences” – this is luxury 3.0. And Carr is pioneering this outrageous new archetype with one of 2017’s most Instagrammed projects.
Carr Design Group combines corporate, residential and hospitality design principles for a diverse and flexible function space at the Collins Square Events Centre. Have they created the ultimate new design typology for next-gen hospitality? We think yes…
Design that reflects its local environment is a huge focus for practising architects and designers, and Sydney’s Barangaroo development is a hotbed for this kind of thinking. Gilbert + Tobin’s new Barangaroo workplace, designed by Woods Bagot, draws inspiration from the rich history and landscape of the site, while nestling nicely into Sydney’s new commercial identity.
The legal sector has traditionally adhered to a strict workplace hierarchy, with senior staff allotted a private office and entry-level employees assigned to the ‘open-plan’. Designed by Warren and Mahoney, the new head office for New Zealand law firm Russell McVeagh, challenges the antiquated workplace approach with a daring, material-rich agile strategy.
What is ‘salon learning’ and how is design responding to this new educational format? Arts West, Melbourne Univeristy’s riotous new Arts Faculty by ARM Architecture and Architectus, reimagines on-campus learning via the philosophy of object-based learning.
How can ‘smart workplaces’ stay flexible when advancements in integrated technology move so quickly? Unispace’s new Melbourne studio exhibits a built-in fluid and mutable working style that transcends the clunkiness of faddish design trends and wire-driven technology.
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