Bundanon has announced its third major exhibition for 2024. Bagan Bariwariganyan: echoes of country and running from November 2nd to February 9th, 2025.
October 24th, 2024
This latest exhibition at the renowned Kerstin Thompson Architects-designed gallery features new works by three acclaimed First Nations artists: Aunty Cheryl Davison, Aunty Julie Freeman and Jonathan Jones. It’s set to celebrate the area’s rich Aboriginal heritage, focusing on themes of kinship, storytelling and cultural traditions through large-scale installations and historical artworks.
Bagan Bariwariganyan: echoes of country is a major collaboration between Walbunja/Ngarigo artist Aunty Cheryl Davison, Gweagal/Wandiwandian artist Aunty Julie Freeman, and Wiradyuri/Kamilaroi artist Jonathan Jones, who is also the guest curator. The artists, each rooted in the cultural landscapes of the New South Wales South Coast, bring together their personal and ancestral stories to highlight Indigenous connections to land and community.
The centrepiece of Bagan Bariwariganyan: echoes of country will be a large-scale architectural installation in Bundanon’s main gallery. The structure, referred to as a ‘gunyah,’ will be constructed from 84 turpentine trees harvested from Bundanon’s property. This immersive installation will also feature screen-printed skyscapes by Aunty Cheryl Davison, illustrating local creation stories, including that of the glossy black-cockatoo and Cambewarra Mountain.
Another key element is a 75-metre-long mural, created by Aunty Julie Freeman in collaboration with her daughter, Markeeta Freeman. This mural maps the coastline from Sydney to Gippsland, portraying significant physical and cultural landmarks of the South Coast, such as bays, rivers and mountains. The mural will be complemented by drawings from 19th-century Yuin artist Mickey of Ulladulla, on loan from major national collections. These rare historical depictions offer a glimpse into early colonisation from an Aboriginal perspective.
In addition to the collaborative elements, the exhibition will feature individual works by Aunty Julie Freeman and Aunty Cheryl Davison. In Gallery 2, Aunty Julie Freeman’s first-ever solo exhibition will be unveiled, showcasing a new series of paintings that document grandmother stories about the plants, animals and landscapes of her Country. Each painting will be paired with cultural objects that further contextualise the stories.
Meanwhile, Aunty Cheryl Davison’s installation in Gallery 4 will build on her existing body of work, using soft sculptures to explore her family’s stories and the unique environment of the South Coast.
Related: On the architecture of Bundanon
The exhibition’s sensory experience will be enhanced by bespoke soundscapes, featuring local ocean sounds, stories spoken in the local language and bird calls, including the distinctive cry of the cockatoo. These soundscapes will connect the three gallery spaces, reinforcing the cultural and physical landscapes represented in the artworks.
Jonathan Jones, the guest curator and participating artist, expressed his excitement about the project, stating: “Both myself and Bundanon are so lucky to be working with Aunty Julie and Aunty Cheryl, such significant artists who until now have not been given the recognition they truly deserve. This is a really special moment where we can put a spotlight on these extraordinary women and their stories, while creating a project that’s deeply embedded in this place and could only happen at Bundanon.”
The exhibition’s opening weekend, November 2nd–3rd, will feature a series of public events, including workshops on weaving and printmaking, live storytelling around a campfire and performances. Admission to the Bundanon Art Museum will be free during the opening weekend.
Bundanon Art Museum
bundanon.com.au
The second part of the Bundanon retrospective is available here.
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Man x Machine x Material collaboration by Jarrod Lim and The American Hardwood Export Council explores how generative AI can enhance design processes while also revealing the areas where human intuition remains irreplaceable.
BLANCOCULINA-S II Sensor promotes water efficiency and reduces waste, representing a leap forward in faucet technology.
In this candid interview, the culinary mastermind behind Singapore’s Nouri and Appetite talks about food as an act of human connection that transcends borders and accolades, the crucial role of technology in preserving its unifying power, and finding a kindred spirit in Gaggenau’s reverence for tradition and relentless pursuit of innovation.
Originally hailing from France, Ilda is forging a varied and exciting career in Australia – from construction and furniture showrooms to an upcoming studio launch.
Warren and Mahoney’s (WAM) design for the newly opened Oran Park Leisure Centre (OPLC) celebrates the facility’s unique location – promoting an active lifestyle at the literal core of this thriving community.
The internet never sleeps! Here's the stuff you might have missed
Warren and Mahoney’s (WAM) design for the newly opened Oran Park Leisure Centre (OPLC) celebrates the facility’s unique location – promoting an active lifestyle at the literal core of this thriving community.
Superfreak is a sumptuous new café in Sydney’s inner west whose rich colours, evocative textures and smart layout combine to create a memorable atmosphere.
The theatrical approach of the Landmark by Lexus pavilion, designed by Brahman Perera, reflects the brand’s role as a global disruptor in luxury.
Designing people-first buildings with flooring that contributes to achieving WELL features in the WELL Building Standard. Works with WELL is a new trademark created by the International WELL Building Institute for use by manufacturers to show when their products align with features in the WELL Building Standard.