Anthony Caggiano visits the AEC’s bold new orb.
April 7th, 2010
The Adelaide Entertainment Centre finds a new focus thanks to an innovative facelift unveiled in March.
Melbourne’s Designinc was briefed to produce a new facade for the building as part of a $52 million upgrade of the site.
Design architect of the project Ian Khoo said the site had “no sense of arrival at the site in my opinion” with just a small sheltered walkway to guide visitors.
The ‘orb’ – a dome-like structure with dynamic LED lighting is now the dramatic focal point for the arena.
“The orb was a sort of brand statement for the AEC and an entry experience to the disparate parts of the centre,” Ian said. “It’s a central hub for the Entertainment Centre.”
Paying homage to the existing architecture, the orb’s curve almost aligns with the curve of the main arena’s roof.
Rolled steel tube and hollow steel sections support the structure and hollow tube sections piece the orb together.
The 140 “pillows” of the orb are comprised of two sheets of Ethylene tetrafluoroethylene, or EFTE, the same material used to clad the Cube for the Beijing Olympics, heat welded and clamped together.
EFTE, a polymer, was chosen as it is lighter and better conforms to twisting than glass and with the white outer layer, provides UV protection below.
Two LED lights are clipped to the structure underneath each pillow, reflecting light off the white exterior sheet of the pillow.
The dynamic lights animate the orb with 16 million colours and patterns, including the French Flag, orange and white checkers and a sea of bright colours.
Offsetting the orb is a 2.4m x 67m LED high-resolution Super Screen projecting video and images of upcoming events.
“The box element adds light and gives the idea of something happening,” Khoo said.
Designinc also designed the new 2500-seat Theatre and the Star Room, formerly the Alchemy function room.
Designinc
designinc.com.au
All photography by James Field
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
With the exceptional 200 Series Fridge Freezer, Gaggenau once again transforms the simple, everyday act of food preservation into an extraordinary, creative and sensory experience, turning the kitchen space into an inspiring culinary atelier.
Schneider Electric’s new range are making bulky outlets a thing of the past with the new UNICA X collection.
In this candid interview, the culinary mastermind behind Singapore’s Nouri and Appetite talks about food as an act of human connection that transcends borders and accolades, the crucial role of technology in preserving its unifying power, and finding a kindred spirit in Gaggenau’s reverence for tradition and relentless pursuit of innovation.
Within the intimate confines of compact living, where space is at a premium, efficiency is critical and dining out often trumps home cooking, Gaggenau’s 400 Series Culinary Drawer proves that limited space can, in fact, unlock unlimited culinary possibilities.
The first in a three-part series of specially-crafted Acumen Practice Notes, we take a look at quick wins for marketing your practice, which doesn’t have to be overly complicated.
Wilkhahn celebrated the re-opening of their Brisbane showroom with an Oktoberfest party on Thursday 8 September. Over 200 guests turned out to the revamped showroom, just 6 months after the space was devastated by the Queensland floods.
Achieving synergy between civic spaces, community and commercial projects. QIC Global Real Estate, Maroondah City Council and The Buchan Group reveal the core ingredients making the integration of Town Square and Realm at Eastland Ringwood a new hybrid.
The internet never sleeps! Here's the stuff you might have missed
Bradhly Le and his team talk us through the foundations of the newly launched practice, RIZEN Atelier.
Blooms the Chemist by Tom Mark Henry defies the traditional pharmacy aesthetic by stepping away from the sterile landscapes of pharmacies.