Get excited and find your inspiration. Here are some of our favourite and fantastical design pieces from the colour wheel and beyond to welcome another year of great design.
Jon Goulder has been a mainstay of the Australian design industry for 20 years, but it’s only now that he considers his career to be taking off. With a new gig at Snøhetta, and blossoming partnerships with the likes of Spence & Lyda and Rakumba Lighting, Goulder is establishing his own unique design language.
Jon Goulder has been a mainstay of the Australian design industry for 20 years, but it’s only now that he considers his career to be taking off. We look at the 2019 INDE Luminary nominees career trajectory.
Come behind the scenes with what went down at the exclusive Saturday Indesign event evenings – the who, the where and most importantly what to expect come June.
How to create a unified office space for two individual brands? WOWOWA explored this to bring structure and flair to a challenging warehouse tenancy.
BODW HK 2018 saw hundreds of Melbourne and Victoria-based designers head over to this burgeoning metropolis for a week of seminars and city experiences.
They say Australians are an intrepid bunch. Never was it more apparent than at Business of Design Week in Hong Kong, last week, which saw hundreds of Melbourne and Victoria-based designers head over to this burgeoning metropolis for a week of seminars and city experiences.
A staple of Melbourne’s furniture design scene for 32 years, don’t miss the last chance to see the outstanding pieces on display, including the winners.
We catch Joel Booy, one half of Netherlands-based Aussie expats Studio Truly Truly, on home soil for the launch of Typography, the duo’s box-fresh lighting system for Rakumba.
The Aussie expats who headed Netherlands-way to found Studio Truly Truly were back home for a series of design conversations presented by Cafe Culture+Insitu and Rakumba.
For everything from the boundary-pushing to the market ready, the 32nd Fringe Furniture exhibition is calling for entries.
Function is a given when it comes to lighting design; it must facilitate illumination. When it comes to form, however, the only limit is the designer’s imagination and will to experiment. And as Rebecca Gross discovers, the imagination and experiments of these emerging designers is evidence of the high calibre of award-winning talent in Australian lighting design.